The 5 best phrases of Alejandra Pizarnik

Alejandra Pizarnik’s phrases show a poet endowed with impressive sensitivity and an unusual lucidity. This artist, daughter of Russian immigrants and born in Argentina, had an unstable and unfortunate life.

Alejandra Pizarnik was greatly influenced by her childhood and his adolescence. He suffered from aggressive acne, asthma and was overweight. Her sister, on the other hand, was “perfect” in the eyes of her parents. She became a rebellious, yet introverted young girl who represented everything a girl should not be. From an early age she began taking amphetamines and barbiturates.

After undergoing psychoanalysis he found stability temporary. There came a time of great intellectual production. From that stage come his most beautiful poems and those phrases by Alejandra Pizarnik that are unforgettable. She committed suicide when she was only 36 years old. These are some of her most memorable statements.

Work in the sentences of Alejandra Pizarnik

One of Alejandra Pizarnik’s phrases says the following: “The truth: working to live is more idiotic than living. I wonder who invented the expression making a living as a synonym for working. Where is that idiot?”.

His rebellious and critical spirit is very well reflected in that text. In this particular phrase you see an angry and indignant Alejandra Pizarnik. More than against work your objection here is to equate it with life. In assuming that life is made, earned or played only in work.

The poet’s task

Much has been said about what poetry is for? Why do poets exist? One of Alejandra Pizarnik’s phrases solves it in a beautiful and elegant way. Associate poetic work with healing. Gives the poetic word the power to healto repair and to detoxify.

He says it this way: “It has been said that the poet is the great therapist. In that sense, poetic work would imply exorcising, conjuring and, furthermore, repairing. Writing a poem is repairing the fundamental wound, the tear. Because we are all hurt”.

Dualities and being

Many of Alejandra Pizarnik’s phrases talk about those dualities that inhabit us. Of being one and being another at the same time. Of the floating, changing and never fully defined identity. In her, it was clear that there was the wounded girl and the indomitable woman.

One of his phrases says: “Delight of getting lost in the imagined image. I rose from my corpse, I went in search of who I am. Pilgrim of me, I have gone to the one who sleeps in a windy country”. It speaks about that which one was and that is no longer, but that will continue to be forever. Of dying and being reborn being another, but an other who carries that corpse inside.

The search and the vertigo

This is one of the most beautiful phrases by Alejandra Pizarnik and it says the following: “Look for. It is not a verb but a vertigo. Does not indicate action. It doesn’t mean going to meet someone but lying down because someone doesn’t come.”. The search to which it refers is that which accompanies the expectation of what is to come or who is to come.

What is intimately desired produces that vertigo in which one does not know which feeling is more extreme: that of absence or that of presence.. When you wait for something you want to arrive, you are not in an active position, but in a torment for which there are no words. And if it takes too long, the torment becomes torture, almost death.

look with innocence

Looking with innocence means for her to look without expectation, without prejudice and without preconception.. It is the type of gaze that does not expect to find something, but is satisfied in the mere fact of seeing, of contemplating. In the next sentence he makes an association between that innocent look and nothingness.

The phrase goes like this: “And above all look innocently. like anything happen, that is true”. Added to that look that expects nothing is the fact that what is actually seen is nothingness. A beautiful way to express that orphanhood that exists in empty moments.

Alejandra Pizarnik was never able to completely overcome the depression that plunged her into long confinements and painful reflections. She was admitted to psychiatric hospitals several times. The last verses he wrote, shortly before he died, say: “I don’t want to go / nothing more / than to the bottom”.

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