Do you know ZARABANDA IN PALO MAYOMBE? Learn everything here

Encounters between communities throughout the world have allowed social, economic, cultural, religious exchanges to be generated, among others. In the case of this article, the Zarabanda in Palo Mayombe is a foundation framed within African belief. We invite you to learn about this African foundation.

What is Zarabanda in Palo Mayombe?

Within what corresponds to the definition of the Zarabanda in Palo Mayombe, it is oriented to a foundation. That is, the principle and even the reason why an element is made known. In this case, it is a God, who has a warrior character and is also the owner of metals and iron. So the Zarabanda in Palo Mayombe is a nganga, that is, a spirit of a dead person that represents the voice of the entity on earth.

Understanding this, the Zarabanda in Palo Mayombe manifests the supernatural forces that constitute it. It is located in a cauldron, in which each of the sacrosanct elements will be gathered, as well as materials and spirits for those who decide to initiate.

That is, the physical and spiritual remains of the dead and loved ones. From this type of urn, communication with the most powerful entities will be facilitated, in order to receive advice and also help to overcome any type of problem. (See article: Unalome)

Likewise, this nganga from Zarabanda in Palo Mayombe bears the signature corresponding to the person. Which allows him to identify himself, only to move through the history of his life within the palería. Therefore, the potential that occurs when this nganga is given allows the dead person to never rest, always seeking peace for the person to whom the work was given. This is framed in fundamental respect.

The Zarabanda in Palo Mayombe has specific songs, as well as its different types of signatures and commemorations. Once it is delivered to the person, he must be taught to care, work and, if desired, teach in relation to the nganga. It is a personal work, which, although desired, can help others, so its spiritual character can be different, but equally powerful, regardless of the believer or family member.

Now, once it is understood that the zarabanda is both a foundation and a nganga, it corresponds in relation to the deities, to the one who owns the metals. As well as wars and responsible for the destruction of worlds. In addition to this, it represents plants and the existing range of metals. The Zarabanda in Palo Mayombe symbolizes speed and strength when carrying out work, due to its effectiveness.

Now, the tata or priest of the religion is the one in charge of granting the strength that the Zarabanda in Palo Mayombe will possess. This deity is without a doubt the favorite of the Tatas. This is due to his destructive nature, which responds quickly to whatever is asked of him, without leaving the works requested of this entity open or unfinished, framed within the mythology of the Congo. His power and size give him recognition as the strongest warrior.

Considering the previous approach, the qualities that determine the zarabanda in palo mayombe are framed in relation to its potential aggressiveness and character. If it is to be located within the culture known as Yoruba, it is reflected through Oggun. A deity that also breaks mountains, generates chaos, reflects the energy, as well as the work and strength of each of the warriors, through the blood left by the Congo warriors.

Likewise, the Zarabanda in Palo Mayombe is physically represented in tangible materials such as the machete, by means of which the work of animal sacrifices is carried out. In addition, the possessor of divine vengeance has about 21 paths within him to carry out his work. However, given its potential and strength, it is necessary to refer to the legend that allows the creation of this nganga of power and effectiveness.

Thus, the legend is that the Zarabanda in Palo Mayombe, knowing that she was losing her visual ability, fearing that it might be impossible for her to continue her witchcraft work, chose to enter Mount Mayombe. It is when, as an internship, he made a deal with Endoki, so that he would grant him the privilege of continuing with the spiritual work.

Within this order of ideas, Sambi, who is another deity within the Mayombe culture, realized the plans that Zarabanda had. Therefore, he dedicated himself to finding a way to get it out of the mountain and allow it to return to earth again, since it represented a high danger. That is why, thanks to his wisdom and curiosity, he could become such a powerful being, whose ability to perform all types of witchcraft.

Now, many other gods did what they could to make Zarabanda leave the lands. So Zarabanda undertook a journey to cure his gradually blindness.

This resulted in him beginning to distrust everyone, so they left food for him at the entrance to the mountain. His distancing from the Mayombe world resulted in the deterioration of the weapons used by the people. Since there was no one else in charge of fixing the work instruments and weapons.

The God Sambi was in charge of calling Mother Water to remedy the situation. Accepting then, she sent a gigantic tsunami that ended up flooding Mount Mayombe. This act caused Zarabanda to move to the top of the mountain, exclaiming forgiveness to the earth, which then allowed the water to calm and retreat. Once this moment was over, a deity appeared who indicated that he had the necessary wisdom to remove Zarabanda without generating any discord.

Astonished by this fact, the deities commented that it was practically impossible to remove the distrustful Zarabanda. However, that deity, with a flirtatious and sensual character, established that he could make every man eat from his hands. As well as generating harmony among those who do not see it. In addition to this, it indicated that the gods would see how Zarabanda would leave the mountain, and that in return they should give him their blessing, as well as grant him a foundation of his own.

Faced with this fact, Sambi, in his capacity as God, accepted such consideration, stating that he would give him such a blessing and foundation if he asked Zarabanda to leave the mountain and allow himself to be helped by them. These considerations would be granted only when she reached the age of majority. The name by which this deity would then be known is Mama Chola, who within the Yoruba religion is equivalent to Oshun.

Accepting this, Sambi was in charge of preparing food and drinks in the company of the honey that Mama Chola controlled. Once placing the honey in the different delicacies, it went to the entrance of the mountain, leaving at the entrance what Sambi and his friends had prepared. Having little resistance to the range of smells, Zarabanda went out to try them, tasting each meal until he fell deeply asleep. Which then allowed them to take him back to earth.

Once back, Zarabanda was gifted the power of sight again. Thanks to this, he regained his security to continue carrying out his different jobs as a blacksmith in the town. Thus, thanks to Mama Chola, Zarabanda resumed her life and she was granted the foundations that he had requested based on his work. That is, he received blessing from all the other gods, as well as recognition of him within the culture.

Images

By investigating the different explorers on the Internet, the images show how the Zarabanda of Palo Mayombe is composed.

A clay vessel, three-legged cauldron or the container that the tata suggests, is the main element where the different materials that make up this deity will be located. The cauldron is then small in size, which will develop like a newborn that as time progresses will grow in accordance with the development of its owner.

This spiritual garment is then appreciated in different sizes depending on the evolution of its owner, on which will depend whether or not it can become nkisi. In addition to this, a güiro is then appreciated that accompanies the palo mayombe zarabanda as an instrument. He is dedicated to directing the spirits of the owners to help, guide and come when he is assigned to carry out different jobs. As well as finding the objectives that are assigned.

It is important then to maintain the cauldron that the godfather or tata teaches how to work the nganga. On the contrary, if the godfather does not teach how to work the garment, it will not work.

Throughout the owner’s spiritual path, it is allowed to incorporate artifacts, as well as different garments to work with the deity. Zarabanda is then a deity of the palo de monte, so she must live in an iron cauldron, accompanied by drawings, signatures, crosses and other symbols typical of the Mayombe culture. (See article: Prayer to Oshun)

What are your signatures?

Now, understanding that the Zarabanda de Palo Mayombe is a large-scale entity, it is the signatures or also known as patipembas that cause controversy within the culture. These correspond to a series of traces or drawings that are made on the ground, where the garments belonging to the Mayombe will be reflected, and the different spiritual entities accompanying the sorcerer and his foundations.

It is pertinent to establish that each signature is one according to the tata, yayi or palero. These carry with them every secret framed within the houses and temples of residence, both of the dead and of the nganga. These originate from ancient times when Africans used different methods of communication, since they did not know how to read and write. They observed that only white people could speak, so they wrote using symbols.

They were made on land using white flour, the product of grinding ground bones. In addition, they marked themselves in the humid earth, with their fingers they created unique codes to generate a communication channel between themselves. The Zarabanda in Palo Mayombe then announced different actions through its symbols. Such as; wars, events and lives, so the signatures represent the different deities of the culture.

Thus, these signatures are those that represent the person and the facts that seek protection in matters such as health, work, love and prosperity before the nganga. It should be noted that the signature of the Zarabanda in Palo Mayombe is specific to each person, since it establishes the different secrets originating from their home, from their temple, where the spirits will correspond.

Each tata or palero mayor will begin the symbols or signatures of the Zarabanda in Palo Mayombe. So it is necessary to start, in addition to giving it life through the respective sacrifices. These may then require…