19 Movies with Magnificent Costumes That Won the Oscar for Best Costume Design

In the 21st century, 19 films have won the Academy’s highest award, an Oscar, in the best costume design category. As a general rule, this award is received for productions with images faithfully recreated at the time of history. Typically, the look is evaluated as a whole, also including hairstyles and makeup. Therefore, a production often receives several statuettes. What’s more, the film itself can be quite mediocre and not receive awards for acting or writing, although it sometimes results in more than pleasant combinations.

O awesome.club warns: this post may awaken in you a great desire to renew your wardrobe.

Costume designer: Ruth E. Carter.

To create stylish superhero images, futuristic elements, traditional African clothing and haute couture accessories were mixed. According to Ruth Carter, all this time she had before her eyes photographs of authentic African clothing and rare shell jewelry, as well as examples of piercing and body art🇧🇷

Costume designer: Mark Bridges.

The events of the film take place just after the Second World War, when, at the time, two fashion houses reigned in the world: London and Paris. Bridges built on the first. He studied several biographies of very little known English designers (Peter Russell, Hardy Amies and Michael Donellan), gathering all their talents and “tricks”.

Costume Designer: Colleen Atwood.

The centerpiece of the costumes throughout the film is, of course, Newt Scamander’s coat, with 12 identical copies for the shoot. It has a teal color, or, as Colleen Atwood calls it, dark peacock. In general, the cut of the clothes corresponds to the form adopted in the 1920s.

Costume Designer: Jenny Beavan.

Interestingly, in addition to an Oscar for costume design, the film won awards in five more categories, including makeup. All the characters were dressed in an apocalyptic style, whose main attributes are based on worn leather, buckles and dirt.

Costume designer: Milena Canonero.

As the main line of this film is ironic-utopian, it was decided to bet on the colors of fables and the rainbow. The first five include red, pink, yellow, gold and purple as the main one. Neither was the choice of fabric casual: felt. Canonero said in an interview that this is the fabric that is most often used in the manufacture of military uniforms: it must have given the most discerning spectators a sense of impending disaster.

Costume designer: Catherine Martin.

It is curious that the original film, shot in 1974, also received the Oscar for best costume design. Prada, like Tiffany & Co. and Brooks Brothers, participated in the creation of the costumes for the 2013 film. That’s why the excitement around the apparel began before the work even hit the big screen. And the debut soon led to the creation of many fashion dress collections inspired by The big Gatsby🇧🇷

Costume designer: Jacqueline Durran.

For inspiration, Durran examined images from the 1950s in which there was a perfect balance between the sobriety of the forms and their romanticism. In other words, there was no strict link or clear purpose to serving the historical moment to create a film. Clothing reliability was limited to the silhouette.

Costume Designer: Mark Bridges.

In case anyone hasn’t seen the film, we emphasize that it is silent cinema in black and white. Every detail, including the interiors, exteriors and costumes, pays homage to the era of true silent cinema. The recreation is worthy of mention, so it is not surprising that at the Cannes Film Festival the audience gave him a standing ovation for 10 minutes.

Costume Designer: Colleen Atwood.

In the clothes in this movie, details are important. If you look closely at Alice’s blue dress, you can see the “heavy” black details that won’t fit anything with a lightweight fabric. This is a gothic “greeting” by Tim Burton, which insinuates to the viewer that the protagonist is not as childish as her girl dress says.

Costume Designer: Sandy Powell.

“50 million dollars and not a single special effect”, provoked the outrage of film critics. Meanwhile, most of the funds were devoted to the production of the costumes. Three of them were exact replicas of the real Queen Victoria’s dresses: the mourning, the wedding and the coronation. The irony is that each of them appeared in the final version of the film for just a few seconds on screen.

Costume Designer: Michael O’Connor.

So many clothes were created for this film that it was necessary to organize a special dressing room to store them. In addition, 30 sets were made according to historical prototypes.

Costume designer: Alexandra Byrne.

All the created images of the Queen of England personify a certain stage of her life. The red and orange dresses symbolize coronation and power and also highlight character among the many bridesmaids dressed in insipid colors. In some scenes where the queen is worried and sad, green tones appear.

Costume designer: Milena Canonero.

This film is a true rococo party, although the costumes do not intend to stick to the historical moment. Canonero kept the original cut of the style, but eliminated redundancy in the decor. Interestingly, the idea of ​​wearing pastel colored clothes came to the artist’s mind when she saw a box of almond cookies with similar shades.

Costume Designer: Colleen Atwood.

The costumes were not intended to accurately recreate the era. Obviously, for this reason the Japanese did not like the film: neither the clothes nor the hairstyles, which have nothing in common with the images of real geishas. Furthermore, even the characters’ dance moves are only part of the film’s creators’ fantasy.

Costume Designer: Sandy Powell.

The entire film recreates the cinematographic style of the first half of the 20th century, the so-called “technicolor” era. At that time, red, green and blue tones dominated the screens. These were, precisely, the main ones for the making of the costumes. Interestingly, Sandy Powell only had access to vintage black and white photographs, so some colors simply had to be invented.

Costume Designers: Richard Taylor and Ngila Dickson.

It is really difficult to specify the amount of costumes made for this film, there were around 19 thousand. For Frodo alone it took 64 sets of clothes, and for Aragorn 32. Part of the costumes almost became works of art, especially the chain mail. All were handmade and took three days to complete a simple 13,000-ring version.

Costume Designer: Colleen Atwood.

The entire musical is the embodiment of the jazz age aesthetic and the clothes could not be an exception. The main feature of the costume: the rejection of typical female forms in favor of a looser masculine cut. Accessories: ornaments in the form of flowers or bows and various embroideries.

Costume Designers: Catherine Martin and Angus Strathie.

In total, 80 costume designers worked on the creation of the clothes and the total number of recreated images reached 300. The clothes were designed with the most coquettish and seductive style: short skirts, garters, feathers, ruffles, fishnet stockings and, of course, pants. of income.

Costume Designer: Janty Yates.

The artist managed to find all the information she needed in Trajan’s Column in Rome. It is covered on all sides with a bas-relief, which represents a large number of uniformed soldiers. An additional source of inspiration for Yates was the historical paintings by artist Alma-Tadema.

Some critics feel that clothing design, as an art, is falling by the wayside because it is now possible to create anything with Photoshop and spend far less resources, time and money. And what do you think, does this art have a future?