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Ingrid Bergman, the story of the diva of the last century who achieved success while still being herself

Ingrid Bergman, the iconic Swedish actress, protagonist of great Hollywood classics such as Casablanca, conquered Hollywood with several nominations, and was awarded 39 times, three of them at the Oscars. A woman without equal for her time, not only for having claimed her female identity as something that went beyond mere image, but also for having dared to question the rigid paradigms involving the role of women at that time.

O awesome.club decided to tell the artist’s story so that you know in detail how she managed to stay true to herself, both in her career and in her personal life.

Ingrid Bergman didn’t have an easy start in life. She knew pain at an early age, yet she became a woman of strong convictions. The future actress was born on August 29, 1915 and, when she was only 2 years old, she lost her mother, who had German nationality. Her father, Justus Samuel Bergman, was a Swedish photographer who encouraged his daughter to act. The man, however, also died early, when the girl was 12 years old.

At the age of 17, she started in the world of cinema as an extra in the Swedish film Landskamp, ​​from 1932. After participating in several productions with small roles, the artist had a good opportunity with the feature film Intermezzo. Her work was seen by American producer David Selznick, who hired her to act in Hollywood.

At the end of the 1930s, when Bergman played the character Ilsa Lund in Casablanca, she had to put her foot down against the intentions of Hollywood producers, who wanted to change her image and even her name. The revelation was made in his autobiographical account My story (“My story”, in free translation). Back then, studios used to have almost absolute control over artists’ careers. Bergman, however, flatly refused. In part, the refusal was motivated by the desire to protect her own recognition as an actress in Europe, showing that she still had the reins over her own career.

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Vogue magazine detailed these facts adding that the wife of producer David Selznick, Irene, questioned the actress’s decision not to wear makeup. So Bergman was told, “Her eyebrows are too thick, her teeth aren’t good, and she’s got a lot of other things… I’ll take you to the make-up department in the morning.”

Immediately, Bergman drew a line with the producer: “I think you made a big mistake buying something blind. I thought I saw myself in the movie Intermezzo and liked me. Now that he’s seen me, he wants to change everything. So I’d rather not make the film… I’ll take the next train and go home”.

In the end, Selznick relented: “I have an idea that’s pretty simple, but nobody in Hollywood has tried it. Nothing about you will be touched or altered… You will be the first ‘natural’ actress”. However, when the recordings began, the make-up artist was again waiting for Bergman, starting to make several suggestions. Only this time, Selznick asserted himself: “Understand this: you will not remove a hair from your eyebrows or hair. It won’t do anything.”

With such a personality, Bergman made the difference by making her own decisions about her identity as a woman and professional. It was as if she knew what image of her would go down in posterity, always remembered for her versatility as an actress and her great natural beauty. She performed speaking in five languages: Swedish, German, Italian, English and French, leaving a great impression on everyone she worked with.

Of her, Selznick himself said: “Miss Bergman is the most fully conscious actress I have ever worked with, in the sense that she thinks of absolutely nothing but work, before and during the time she is making a film. ..”.

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After the film, she was hailed as a star, receiving many positive reviews for acting with dignity, commitment and naturalness. The recording set was filled with an air of admiration. People who worked with Bergman “were enthralled by the quick concentration and attention she gave to directing and her lines.” But the actress and her way of being did not only make an impact on her co-workers, but also on the public, who soon fell in love with her.

From there, Bergman’s career only solidified and grew. In 1943, she acted in For Whom the Bell Tolls, a film that earned her an Oscar nomination. Bergman would win the statuette the following year, with the feature À Meia-Luz. In 1945, she worked in three films: When the Heart Speaks, by Alfred Hitchcock, director who made her one of her favorite actresses; Exotic Woman and Os Sinos de Santa Maria, work that earned another nomination. In 1948, she fulfilled her dream of playing Joan of Arc, a role that would have enormous meaning and that she would play again a few times.

After nearly a decade working in the US, she returned to Europe to work with Italian director Roberto Rossellini in Stromboli, in 1950. At the time, Bergman was already married to Petter Lindström, with whom she had her first daughter, Pia. However, the actress divorced and married Rossellini, becoming pregnant with their second child, Roberto. Shortly after, she would have the twins Isotta and Isabella.

The relationship with Roberto lasted six films. That was the time when Bergman was less successful, not least because her husband did not allow her to work with other directors. The relationship deteriorated, leading the actress to divorce again. It was when director Jean Renoir appeared on the scene, who admired Bergman and, opportunely, hired her to shoot Strange Things in Paris, in 1956, the same year in which she starred in Anastasia, the Forgotten Princess. Thanks to this last production, Bergamn won his second Oscar.

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The actress continued to act in several productions. In 1975, she was diagnosed with breast cancer, but still continued working even after her last appearance on the big screen, in Autumn Sonata, in 1978, a film for which she would be nominated again.

Bergman retired after working on the TV movie A Woman Called Golda, for which she would win an Emmy for best actress and a Golden Globe that she failed to receive. The actress died on her 67th birthday, after a small party with friends.

There is no doubt that Ingrid Bergman has become a cinema icon; she ranking fourth on the American Film Institute’s list of the best actors. But her legacy was not limited to acting, as Bergman always prioritized being herself: “The world loves originality,” she said. She was and always will be an example of a passionate, proud woman, of natural beauty, true to herself and a symbol of style and elegance.

What would you do if someone asked you to become a different person just to be accepted into a certain social circle?

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